Art
food for the Soul.
Art
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instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.
instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.
instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.
instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.
instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.
instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.
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instagram:

Dancing amidst William Forsythe’s Swinging Pendulums

For more photos and videos from Forsythe’s pendulums, explore the Circus Street - Old Market Brighton location page and browse the #WilliamForsythe hashtag.

Hundreds of timed pendulums dangle from the ceiling of an old municipal market building in the seaside town of Brighton, England. Designed by renowned choreographer William Forsythe, the swinging weights aren’t meant to be simply observed—they’re meant to make you dance. Visitors must dodge the pendulums in order to traverse the space, playfully jumping, running and moving in new ways as they go.

The installation, titled “Nowhere and Everywhere at the Same Time No. 2,” comes as a part of the 2014 Brighton Festival (@brightdome_brightfest), an exhibition of music, dance, theater, comedy and visual arts open until May 25.
instagram:

Dancing amidst William Forsythe’s Swinging Pendulums

For more photos and videos from Forsythe’s pendulums, explore the Circus Street - Old Market Brighton location page and browse the #WilliamForsythe hashtag.

Hundreds of timed pendulums dangle from the ceiling of an old municipal market building in the seaside town of Brighton, England. Designed by renowned choreographer William Forsythe, the swinging weights aren’t meant to be simply observed—they’re meant to make you dance. Visitors must dodge the pendulums in order to traverse the space, playfully jumping, running and moving in new ways as they go.

The installation, titled “Nowhere and Everywhere at the Same Time No. 2,” comes as a part of the 2014 Brighton Festival (@brightdome_brightfest), an exhibition of music, dance, theater, comedy and visual arts open until May 25.
instagram:

Dancing amidst William Forsythe’s Swinging Pendulums

For more photos and videos from Forsythe’s pendulums, explore the Circus Street - Old Market Brighton location page and browse the #WilliamForsythe hashtag.

Hundreds of timed pendulums dangle from the ceiling of an old municipal market building in the seaside town of Brighton, England. Designed by renowned choreographer William Forsythe, the swinging weights aren’t meant to be simply observed—they’re meant to make you dance. Visitors must dodge the pendulums in order to traverse the space, playfully jumping, running and moving in new ways as they go.

The installation, titled “Nowhere and Everywhere at the Same Time No. 2,” comes as a part of the 2014 Brighton Festival (@brightdome_brightfest), an exhibition of music, dance, theater, comedy and visual arts open until May 25.
instagram:

Dancing amidst William Forsythe’s Swinging Pendulums

For more photos and videos from Forsythe’s pendulums, explore the Circus Street - Old Market Brighton location page and browse the #WilliamForsythe hashtag.

Hundreds of timed pendulums dangle from the ceiling of an old municipal market building in the seaside town of Brighton, England. Designed by renowned choreographer William Forsythe, the swinging weights aren’t meant to be simply observed—they’re meant to make you dance. Visitors must dodge the pendulums in order to traverse the space, playfully jumping, running and moving in new ways as they go.

The installation, titled “Nowhere and Everywhere at the Same Time No. 2,” comes as a part of the 2014 Brighton Festival (@brightdome_brightfest), an exhibition of music, dance, theater, comedy and visual arts open until May 25.
instagram:

Dancing amidst William Forsythe’s Swinging Pendulums

For more photos and videos from Forsythe’s pendulums, explore the Circus Street - Old Market Brighton location page and browse the #WilliamForsythe hashtag.

Hundreds of timed pendulums dangle from the ceiling of an old municipal market building in the seaside town of Brighton, England. Designed by renowned choreographer William Forsythe, the swinging weights aren’t meant to be simply observed—they’re meant to make you dance. Visitors must dodge the pendulums in order to traverse the space, playfully jumping, running and moving in new ways as they go.

The installation, titled “Nowhere and Everywhere at the Same Time No. 2,” comes as a part of the 2014 Brighton Festival (@brightdome_brightfest), an exhibition of music, dance, theater, comedy and visual arts open until May 25.
instagram:

Dancing amidst William Forsythe’s Swinging Pendulums

For more photos and videos from Forsythe’s pendulums, explore the Circus Street - Old Market Brighton location page and browse the #WilliamForsythe hashtag.

Hundreds of timed pendulums dangle from the ceiling of an old municipal market building in the seaside town of Brighton, England. Designed by renowned choreographer William Forsythe, the swinging weights aren’t meant to be simply observed—they’re meant to make you dance. Visitors must dodge the pendulums in order to traverse the space, playfully jumping, running and moving in new ways as they go.

The installation, titled “Nowhere and Everywhere at the Same Time No. 2,” comes as a part of the 2014 Brighton Festival (@brightdome_brightfest), an exhibition of music, dance, theater, comedy and visual arts open until May 25.
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s00tball:

flawless
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izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
izcon:

celticcasualty:

Soft punks,Warm punks,Little balls of spikes.Happy punks,Sleepy punks,Yeah, yeah, yeah!

Punk’s not dead, just taking a nap
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"Stupidity isn’t punishable by death. If it was, there would be a hell of a population drop."
Laurell K. Hamilton, The Laughing Corpse

(via gaelic-bluebells)

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likeafieldmouse:

Cui Fei - Manuscript of Nature V (2002)
likeafieldmouse:

Cui Fei - Manuscript of Nature V (2002)
likeafieldmouse:

Cui Fei - Manuscript of Nature V (2002)
likeafieldmouse:

Cui Fei - Manuscript of Nature V (2002)
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showslow:

Berlin Photography by Filmawi Efrem
Shot on 35mm Film
showslow:

Berlin Photography by Filmawi Efrem
Shot on 35mm Film
showslow:

Berlin Photography by Filmawi Efrem
Shot on 35mm Film
showslow:

Berlin Photography by Filmawi Efrem
Shot on 35mm Film
showslow:

Berlin Photography by Filmawi Efrem
Shot on 35mm Film
showslow:

Berlin Photography by Filmawi Efrem
Shot on 35mm Film
showslow:

Berlin Photography by Filmawi Efrem
Shot on 35mm Film
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nevver:

Pattern recognition, Klaus Leidorf
nevver:

Pattern recognition, Klaus Leidorf
nevver:

Pattern recognition, Klaus Leidorf
nevver:

Pattern recognition, Klaus Leidorf
nevver:

Pattern recognition, Klaus Leidorf
nevver:

Pattern recognition, Klaus Leidorf
nevver:

Pattern recognition, Klaus Leidorf
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